First Signs of Trouble
An uncivilized look at pop culture.
Saturday, April 12, 2014
Stephen Colbert replacing David Letterman and the Generation Gap
Tuesday, September 3, 2013
My problem with the Batman vs. Superman casting (It's not what you think)
Wednesday, June 6, 2012
In honor of Ray Bradbury
Tuesday, December 27, 2011
Comparing the two Doctor Whos by their Christmas specials
With eleven incarnations, everybody has their own Doctor. I admit, it was during David Tennant's run that I originally started watching Doctor Who. I have always been a fan of time travel stories since I was little (I once tried to make my own time machine out of waffle blocks, a skateboard and a clock taped to my vehicle). And while I was aware of the older Doctor Who series, it wasn't until the new series premiering in 2005 that I really had a chance to watch it. Produced by Russel T. Davies and starring Christopher Eccleston, the revamped Doctor Who proved popular enough to continue past the first series. But it wasn't until Tennant took over the role that it really found its voice.
You see, Doctor Who has a tradition of running a special, a mostly standalone, extended episode around Christmas. During the Davies years, they have all been defined by giant invasions of tragedies. Just like most of the normal episodes, there was high stakes and high drama to be had by all. Whether it's an alien invasion, Victorian Cybermen or a futuristic Titanic disaster, Davies always struggled to tell huge stories with lots of sacrifice and action. These qualities define Davies' time as showrunner, with the world always in peril every week and the Doctor always there to save it. The Doctor became a messianic figure under Davies, and there is nothing fun about a messianic figure.
Ignore the giant eyeball and just listen to the speech.
Friday, November 18, 2011
Quadrophenia: The greatest album ever made
Tommy eventually led to a movie and Broadway play which made the band economically viable, thus allowing them to explore further into rock. What followed are four of the greatest albums of all time: The Who by Numbers, Who’s Next, Who Are You and of course the single greatest album of all time, Quadrophenia.
I found Quadrophenia in my senior year of high school. Senior year is obviously trying for any adolescent, and my existential crisis seemed more severe than most. Through my lows during that year and summer, I knew I could always turn to The Who. And though I'm sure it's trite to say, I owe a lot to Quadrophenia. That album consoled me more than anything else.
Tom's favorite song.
This album is perfect. It features the flawless writing of Townshend and one of the greatest hard rock vocalists of all time in the form of Daltrey. John Entwistle is the little appreciated hero, who competes year in and year out for the greatest bassist of all time [only competition being Flea and JPJ (DW: and Les Claypool)]. And, of course, the greatest drummer of all time in Keith Moon.
Donny's favorite Quadrophenia song.
Pearl Jams are the only other people that can ever do Love Reign O'er Me justice.
All in all, Quadrophenia is a tour de force. It's not so much music as much as it's pure raw emotion. You can feel it. Even after the music stops it resonates with you. It really is a masterpiece of writing that you just do not expect from a rock band. With Quadrophenia, The Who transcend the hard rock genre. They give us something real. Quadrophenia is a culmination of everything The Who stands for. If the band was judged solely on this album, than they should be so lucky.
The Who?